Free Shipping Automatically at $50
Shopping Cart
The Ultimate Guide to MIDI Orchestration - Best Practices for Film Scoring & Music Production (Perfect for Composers & Producers)
The Ultimate Guide to MIDI Orchestration - Best Practices for Film Scoring & Music Production (Perfect for Composers & Producers)

The Ultimate Guide to MIDI Orchestration - Best Practices for Film Scoring & Music Production (Perfect for Composers & Producers)

$48.38 $87.98 -45% OFF

Free shipping on all orders over $50

7-15 days international

12 people viewing this product right now!

30-day free returns

Secure checkout

12607073

Guranteed safe checkout
amex
paypal
discover
mastercard
visa
apple pay

Description

Since its initial release in 1997, Paul Gilreath s The Guide to MIDI Orchestration has been the premiere text on creating realistic emulations of a symphony orchestra using samplers and computer recording techniques. Recent years have seen huge advances in sampling technology. Likewise, the demands put on the MIDI composer to produce extremely realistic orchestral textures have never been higher. Now in its 3rd edition, The Guide to MIDI Orchestration explains how to merge this ever-expanding technology with the artistry of orchestration to produce the most lifelike recordings possible. The book is a hardback comprehensive text comprising over 700 pages that progresses from an overview of orchestral history to in-depth discussions of each section of the orchestra. The book is printed with four color process throughout. Detailed information on each instrument s timbre, range and uses is included. Specific orchestration techniques are discussed, including how to use the various instrumen

Reviews

******
- Verified Buyer
This is an excellent book and compulsory reading for anyone, at any level, who wants to compose, arrange and produce big orchestral scores for TV, movies, or is just generally interested in the subject matter. The author is highly knowledgeable and experienced, as a musician as well as a composer and orchestrator, and it is obvious that he knows well what he is talking about when he describes in detail the various characteristics of orchestral instruments. Creating a beautiful and naturally sounding instrumentation is no easy feat (I am talking from experience) and knowing what the "real thing" sounds like, and understanding physical limitations of real instruments, is essential. One area I would like to see covered in more detail, whether in a fourth edition or in the upcoming "user area" on the author's website ([...]) is a more indepth coverage of Sibelius 5. Sibelius 5 now also supports virtual instruments which makes it an absolute killer (in my personal opinion) in combination with high end libraries such as Eastwest's Symphonic Orchestra.Note for readers of this review: the forementioned "user area" (expected to be up sometime in May according to the web site) will provide updates on the material covered in the book. This should alleviate some of the concerns of other reviewers to the effect that the information on MIDI orchestra and the various libaries available, is quickly outdated.